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†††††† Excerpt from the book




†††††† Written and illustrated by

††††††††† Carl Alexander von Volborth , K.St.J., A.I.H.

††††††††††††††††††† Copenhagen 1973


†††††† Internet version edited byAndrew Andersen, Ph.D.








(pp. 120-123 and 211-213)



Spanish heraldry contains various special features which often facilitate the distinguishing of Spanish arms from those of other countries. One of the most striking characteristics is the bordure, which is very common, containing at various times castles, St Andrew's crosses, lilies or a chain (see Figs 643, 659, 660 and 661). Some of these bordered coats of arms originate from the time when the arms of a married couple were combined by placing the husband's escutcheon in the centre of the shield, with a miniature edition of his wife's ancestral arms, or a charge from these, being arranged six or more times in a bordure around it. An example of this can be seen in the royal arms of Portugal (Fig. 626); the white shield in the centre is the original Portuguese coat of arms; the red bordure with the castles comes from a marriage with a Castilian princess and is derived from her paternal ancestral arms (see Fig. 639). Sometimes a motto is included in the bordure and thus in fact on the shield itself (Fig. 655), a thing that in other countries would be regarded as poor heraldic practice.






643. City arms of Madrid.




659. City arms of Pamplona.





660. Arms of the poet and playwright Lope de Vega Carpio (1562-1635).





661. Arms of the author of Don Quixote, Miguel de Cervantes Saavedra (1547-1616).


The bordure, often containing charges, is very common in Spanish heraldry, see also p. 163. Crests are rare, and nobility without title (who have no coronet to set on the helmet) often use ostrich feathers instead, usually in the same colours as the mantling, see above. Supporters may be used by all, but are nowadays rarely found.





626. The arms of Portugal.

The shield is backed by an armillary sphere, an old nautical instrument.







639. The arms of Spain in modern times: first and fourth quarter, Castile quartered with Leon; second and third quarters, Aragon and Navarre; in base, the pomegranate of Granada (see also Fig. 271).






271. Armorial bearings of Isabella of Castile (castle and lion) and Ferdinand of Aragon (pallets and eagles). At the base is the pomegranate ot Granada. The shield is supported by a crowned eagle. The yoke and the sheaf of arrows beneath are Spanish royal emblems.





636. Spainís royal crown.








637. Crown of the heir to the throne, the Prince of the Asturias.








655. City arms of Soria. In Spanish heraldry a motto may be placed on the shield, but it is more common for it to be included in the bordure.


638. Coronet of the Count of Barcelona.









640. Coronet of the Count of Gerona.




Another characteristic and very common charge is a bend held in the mouths of two dragons or lions, as found in General Franco's armorial bearings (Fig. 641).




641. Arms of the Spanish head of state, Francisco Franco.



In heraldic art, as mentioned previously, the 'metals' - silver and gold - can when necessary be replaced by white or yellow. But the rule is that in the blazonry of a coat of arms either white and yellow or silver and gold are used and not, for example, white and gold, or silver and yellow, or yellow and gold, in the same arms. It is one of Spanish heraldry's specific features that this rule is not necessarily followed, for not only may white and silver be used in the same coat of arms, but they may be found one on top of the other. Thus in Fig. 655 the bordure is silver while the motto it contains is white.


The helmets of the royal family are gold visored helmets set affronty with the visor raised (Fig. 647).

Dukes and marquises have silver barred helmets with the bars etc. in gold set affronty: A duke has nine bars, a marquis seven (Figs 648 and 649).





647. Helmet and coronet for a prince of Castile.


648. Pattern for a marquis



649. Helmet and coronet for a duke.





Counts, viscounts and barons have the same type of helmet but set in profile, the first two categories with seven visible bars ó the difference in rank is shown by the coronet - the baron with five (Figs 650, 651 and 652).

A hidalgo, that is a gentleman of old lineage without a title, may use the same type of helmet as a baron though entirely in silver (Fig. 653) or, and this is probably more common, a mixture of visored and barred helmet in profile with raised visor and three visible gold bars (Figs 660 and 661). At times the mantling is made to appear as if it were fixed to the interior of the helmet instead of issuing from the top of it (see Fig. 49).





650. Pattern for a count


651. Pattern for a viscount.




652. Pattern for a baron.




654. Helmet for an escudero.



653. Pattern for a nobleman of ancient lineage, a hidalgo, who has no title.





656. Helmet (facing sinister) for an illegitimate son (bastardo).




49. After the Renaissance, when heraldry no longer had any practical function and had become merely 'paper' heraldry, many errors and absurdities arose. Below can be seen a Spanish example of this: the mantling is not attached to the top of the helmet, but to its inside. The combination of visor and bars on the helmet does seem actually to have been used, however.




Titled aristocrats place their coronet on the top of the helmet when one is used. Crests are rare and therefore the helmet is often omitted. In that case a coronet may rest directly on the shield. Untitled members of the nobility who do not have a coronet usually retain the helmet and then use a few ostrich feathers as a crest, as a rule in the same colour as the mantling (Figs 660 and 661). The arms of a grandee (see p. 123) are mostly set within a red robe of estate lined with ermine (Fig. 280). Since the eighteenth century it has been the custom for grandees to place a red cap inside their coronets (Fig. 663).





662. Pattern for a marquis who is also a grandee.




280. Robe of estate of a Spanish grandee with pattern for the escutcheon



663. Pattern for a baron who is also a grandee. See also Fig. 652.





'Grandee' is a special category within Spanish (Castilian) nobility and it can be combined with any other aristocratic rank. All grandees are entitled to a robe of estate with their coat of arms and they may rest their coronets directly on the shield, without a helmet.




Anybody may use supporters. They were common in the sixteenth and seventeenth centuries, but seem on the whole to have been dispensed with nowadays.


It is the custom in Spain to use the surnames of both the father and mother, sometimes even those of the grandparents, according to certain defined rules, and the same applies with coats of arms. The coats one chooses to bear and the manner in which they are marshalled on the shield have to be approved and registered with the heraldic registrar, the Cronista de Armas (see below).


It is usual to include the arms of paternal grandfather and maternal grandfather in the first and second fields of a quartered coat of arms, and those of paternal grandmother and maternal grandmother in the third and fourth. In the Middle Ages descent from four armigerous grandparents was the proof required for recognition of a hidalgo's nobility. If one of the grandparents has no coat of arms, one of the others can be repeated, or the shield can be divided into three: once vertically and once horizontally. If there are more than four coats, the shield can be divided up into a corresponding number of quarterings, or one or more coats can be included in an inescutcheon.


In 1931, when King Alphonso XIII went into exile, Spain became a republic for the second time (the first was 1873-74), and titles of nobility and armorial bearings were abolished at the same time. In 1939 the Spanish Civil War ended in victory for General Franco, and in 1947 he declared that Spain was again a kingdom (although without a king for the time being). In 1951 an office was established under the Ministry of Justice which was to register and supervise the heraldry of the country.


The officials in control of this work are no longer called Kings of Arms and heralds, as they were formerly, but 'heraldic registrars' - Cronistas de Armas. There are five of them, probably one for each of the five historical kingdoms which make up Spain: Castile, Leon, Aragon, Navarre and Granada (see Fig. 639). The registrars hold office for life and deal not only with the country's heraldry but also with questions regarding titles of nobility and so on.


A coat of arms is in Spain protected by law, and misuse is punishable. Only arms registered with a Cronista de Armas can be publicly displayed, but anybody, including a commoner, can register his arms or request the authorisation of a newly composed coat of arms. Whether earlier heralds' patents of arms also conferred nobility has been the subject of much discussion, but a 'certificate or arms' from a Cronista de Armas certainly does not do so.


People in former Spanish colonies, e.g. the Americas and the Philippines, who are not necessarily of Spanish descent, can also register an existing coat of arms or obtain a certificate for a new one from the registrars in Spain.


The civic arms of Valencia and Barcelona are set on a lozenge-shaped shield following an old tradition (Figs 644 and 646) that probably has no parallel elsewhere. Instead of the coronet of a marquis on Valencia's shield a royal crown is sometimes used. The mural crown (Fig. 642) was used especially during the time of the two republics (1873-74 and 1931-39), but since then has been replaced almost everywhere by other types of crown.





644. City arms of Valencia.








642. Mural crown





646. City arms of Barcelona






645. Arms granted to Christopher Columbus (c. 1446-1506) after the discovery of America. (From the Cronica de Oviedo, 1547



657. Arms of the province of Leon, based on those of the ancient kingdom of the same name.




658. Arms of the founder of the Order of Jesuits, Ignatius de Loyola (1491-1556).







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